Picart and John Edgar Browning PART 1: GENERAL THEORIES OF MONSTROSITY Monster Culture (Seven Theses) - Jeffrey Jerome Cohen Dread, Taboo, and The Thing (1982): Toward a Social Theory of the Horror Film - Stephen Prince Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings - Noël Carroll Our Vampires, Our Neighbors - Ken Gelder 'Psychological Thriller': Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle - Mark Jancovich PART 2: TERATOLOGIES OF NATIONALITY AND RACE Monsters in the Literary Traditions of Asia: A Critical Appraisal - Andrew Hock-Soon Ng Slayer as Monster in Blood+ (2005-2006) and Buffy the Vampire Slayer (1997-2003) - Margaret L. TABLE OF CONTENTS Introduction: On Monstrosity and Multiculturalism - Caroline Joan ('Kay') S. It is a cross section of how "monster narratives" intersect with "outsider" positions, from different perspectives - such as those of literary critics, film critics, criminologists, law professors, historians, philosophers - and looks into various strategies of destabilizing normative binaries. As a general anthology of teratologies, this book simply maps what, in many ways, has already been occurring across several fields, as it tracks the expansion of this term, creating lacunae that form connections across multiple interpretive communities. Teratologies are more than a bestiary: a catalogue of 'freaks' designed to celebrate the 'normal.' Rather, teratologies illustrate how humor, horror, fantasy and the 'real' cross-fertilize each other, resulting in the possibility of new worlds, ethics, and narratives, emerging. Despite its apparently monolithic definition, 'teratology' (from the Greek word teras, meaning 'monster,' and the Latin logy, which is derived from the Greek logia, meaning 'a speaking, discourse, treatise, doctrine, theory, science') seems infinitely malleable, flourishing in various rhetorical environments.
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